A pure Hawaiian, Keale was born Dec. 3, 1939, on Ni'ihau, but grew up on O'ahu.

Keale, whose voice brought a tingle of aloha to his music, will be remembered as a gentle, giving treasure in the Island entertainment scene.

"He just exuded a lot of spirit and aloha; he was my dad but my friend, my buddy, too. We cruised; we hanged out together," said Scott Nalani Keale, his only son.

The younger Keale talked to his father Sunday while he was on a teaching mission in Japan. He was en route home, aboard a flight yesterday, when Moe Keale died.

"I called him because I couldn't find a couple of chords to 'Pua Mae'ole,' a song I wanted to teach," Nalani Keale said. "He taught me how; he told me to play it in this particular chord. And I got it. It was awesome. It must've been midnight in Hawai'i at the time. And it was the last time I heard his voice."

'One-man halau'

Keale nearly died a year ago when he suffered a heart attack while working out at 24 Hour Fitness in the Windward City Shopping Center. Police officers saved his life.

Keale's regular performing gig was Thursdays and Sundays poolside at the Sheraton Waikiki Hotel. Of his many recorded songs, he was best known for "Aloha Is ... A Part of Me, a Part of You," for which he won a Na Hoku Hanohano Award in 1987.

Of his numerous performing gigs, his most recent was his most intimate and endearing.

"Moe would introduce Nalani as a halau," said entertainment booking agent Chriss Heyd. "It was kind of a joke ­ a one-man halau." Keale had been at the hotel since February 1994, and his image graced the hotel's Christmas card this past year.

A frequent nightclub performer, Keale was the lead singer in Eddie Kamae's Sons Of Hawai'i back in the late '60s. He also had his own group, Moe Keale & Anuenue. In 1978, he recorded a solo album, "South Sea Island Magic."

Keale was the seventh child of pure Hawaiian parents. His father came from Ni'ihau, his mother from Kaua'i.

Keale learned to play the 'ukulele when he was 4; an older brother even taught him how to double-strum. He played the instrument as a boy growing up in Palolo Valley, taking it to Paolo Elementary School and Kaimuki High School and, later, as a beachboy, to Waikiki.

Keale did a little of everything in his life, redefining the word versatile.

As a beachboy, his long hair earned him a nickname that stuck for years: "Animal." He was a professional high-diver, a part-time electrician and a radio deejay.

Once, when he was a deejay at KCCN in 1983, a listener requested "Kamehameha Waltz," but Keale couldn't find a copy in the studio. He quickly grabbed an 'ukulele and played it himself.

Most recently, he also was the co-owner of the Lomi Shop at Windward Mall, giving lomi massages by day and performing his music at night.

He got his acting start in 1959 with a role in the Spencer Tracy feature film "The Devil at Four O'Clock," which was followed by a long-run in New York of the stage production of "Paradise Island."

Played 'mean' roles

He appeared in many TV shows, with recurring roles and guest appearances across the dial. It began with a role as a loveable policeman in "The Little People," which later became "The Brian Keith Show."

That led to a recurring role as Truck Kealoha in "Hawaii Five-O," but not until after he worked on the set as an electrician.

He also appeared in "Big Hawaii" and "Magnum, P.I." and in such diverse shows as "Kung Fu," "Charlie's Angels" and Donny and Marie Osmond's "Going Coconuts."

In a 1982 interview, he lamented the way Hawai'i actors typically were cast. "Local guys like myself get some pretty awful roles," he said. "It's work."

Of the fact that he was frequently cast as a "heavy," he said: "I guess I look mean."

He once said acting comes naturally for him, an extension of his personality.

"I'm a happy-go-lucky person," he said in 1977, when he played Garfield Kalahani in "Big Hawai'i."

Bill Kaiwa knew Keale since childhood.