Producing the oscars
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By Lynn Elber
Associated Press
LOS ANGELES The theater is new, and so is the beefed up security. But there will be nostalgic Hollywood touches as well at tonight's Academy Awards ceremony.
Laura Ziskin, the show's producer, hopes that old-time glamour combined with performers including Sting, Paul McCartney and the Cirque du Soleil will hold viewers after last year's most unwatched Oscars ever.
Laura Ziskin, producer of the Oscars ceremony, handed nominees silver egg timers set for 45 seconds to time acceptance speeches.
She knows, however, that it takes more to ensure a memorable evening at the $94 million Kodak Theatre, the lavish new home for the Oscars.
"The show is made or broken by the winners and what they say or do. I can do everything right, and if they're not interesting or come with their laundry list of 'thank yous,' then the show will be boring," Ziskin said.
"If they have something to say and are emotional, then the show will be great no matter what I do," she added, then said jokingly: "So I'm abdicating all responsibility."
In reality, Ziskin is working mightily to ensure that everyone, overwrought winners included, does their part. At the annual nominees' luncheon, she handed out a helpful prop silver egg timers set for 45 seconds, the recommended speech duration.
"Forty-five seconds is a long time. You can say 137 words in 45 seconds, and 'I want to thank the academy' is only six words," said Ziskin, the first woman to produce the show solo. (Lili Fini Zanuck produced the 2000 ceremony with husband Richard Zanuck.)
Long shows that creep toward or past midnight on the East Coast can make for viewer boredom and potentially lower ratings. Ziskin may be fighting a trend: The ceremony suffered its lowest ratings ever last year with an average 42.9 million viewers, down 7 percent from 2000.
To spark interest, Ziskin said she's ensuring the show is "jampacked with ... something for everyone. I won't say for sure, but we're on the road to pulling off a couple of big surprises."
Whoopi Goldberg, an Oscar winner for 1990's "Ghost," is making her fourth appearance as host. Her sometimes off-color humor at the 1996 show drew mixed reviews, but Ziskin said she was her first choice and she "really wanted someone who had done it before."
Big names in music are set to perform the nominated songs, including Sting, McCartney, Faith Hill, Enya and Randy Newman.
The eclectic Cirque du Soleil will offer a specially-created piece to lead into the visual effects award presentation; the orchestra will be conducted by Oscar-winning composer John Williams.
The presenters' list is as starry as ever with the likes of Mel Gibson, Tom Hanks and Helen Hunt. It also is a bit more youthful than in the past. Among those representing young Hollywood are Josh Hartnett ("Pearl Harbor"), Tobey Maguire (the upcoming "Spider-Man") and Jennifer Lopez.
Another new talent or at least contender is the Kodak Theatre on Hollywood Boulevard. It's only a block away from the Hollywood Roosevelt Hotel where the first Oscars were presented in 1929.
The theater complex has built-in drama. The life-sized stone elephants at one entrance are based on D.W. Griffith's colossal set for his 1916 epic "Intolerance."
Actors, however, will parade past some 400 cheering fans at another entrance that leads more directly into the 3,500-seat theater. The interior is marked by greater intimacy than the old Oscar venue, the cavernous Shrine Auditorium.
"We're paying homage, in terms of the setting and feeling and look of this, to the old-time movie palaces," Ziskin said. "It's going to look very elegant and hark back to our collective memory of those big screens with the beautiful prosceniums."
Nostalgia will be backed by strict security, a result of post-Sept. 11 caution at the new site. Fans who traditionally camped out for bleacher seats had to formally apply, and there will be a "substantial increase" in police, said Ric Robertson, the academy's executive administrator.
Will terrorism and its aftermath be acknowledged in the ceremony? Yes, said Ziskin. "It's maybe more in the subtext than head on, but I think it's in everybody's mind."