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The Honolulu Advertiser
Posted on: Sunday, November 23, 2003

Artists achieve balance in exhibit of extremes

By Victoria Gail-White
Advertiser Art Critic

 •  New Work by Andy Kay and Ira Ono

10 a.m. to 5 p.m. Mondays through Thursdays

10 a.m. to 6 p.m. Fridays

Through Dec. 3; closed Thanksgiving

Atelier 4 Fine Art Gallery

524-3552

Andy Kay's recent work has evolved from his travels and background in costume design, batik, and Chinese abstract painting to his present sophisticated metallic compositions incorporating Chinese black-ink brushwork, 22- or 23-karat gold leaf and Asian elements such as bamboo, leaves and Immortals. Ten paintings, many from his "Old Page" series, focus on his attachment to old books and the refinement of centuries past. In "Fairytale," a bonsai tree twists and moves through various colored gold leaf platforms containing robed figures guiding our eyes through the story. "Blue and Gold Fan" is a striking fan-shaped painting, with flashes of gold leaf amongst a rich blue hue

Ira Ono, an artist from the Big Island, incorporates found objects (plastic animals, bugs, buttons, tiles, teapots, stars, etc.), hand-made paste papers and collage elements in his eight new works. "Black Lacquer Dream" and "Zen Dreams" are triptychs. His sardonic sense of humor usually shows up in his titles. In "Zen Bones," bleached and cleaned chicken bones are arranged as if to divine some prearranged destiny. "Feng Shui Complaint" is a hodgepodge of plastic bugs, crabs, fish and shells. Ono's paste paper and found image "Ancient Cave" is a dark sepia-toned collage, moody and primitive.

The combination of Kay and Ono's work shown together generates a sense of the sublime and the outrageous. They complement one another and add a sense of balance to each's artistic extremes.