ISLAND SOUNDS
New releases offer world music, jazz

By Wayne Harada
Advertiser Entertainment Writer

A Big Island group is on the verge of erupting into the musical mainstream — its sound draws on rap, reggae and funk, with an occasional Hawaiian twist. A new jazz talent emerges with a gentle sound on a new CD. And a "divine" band also seeks out an audience.

"MOEMOELUTIONARY MUSIC" by Moemoea; Quiet Storm Records

Distinguishing notes: Moemoea (pronounced moy-moy-ah) is a Big Island septet that speaks a language of its own in such genres as Hawaiian, soul, rap, roots reggae, Island rhythms, and world beat — even spoken word. Moemoe is Hawaiian for sleep, and that's a springboard for this excursion that taps what happens when you sleep and dream. Group members are Kurt, Kiliona, Rob, Mati, Kalei, Orlando and Peter Frank, who adapt styles according to need. The song list provides a clue to the emotions and political astuteness of Moemoea — check out "Spiritual Nation," "Smile," "Tumblin' Down." A funky "Stay High" is contrasted by "Wahi a Ka Hiko," spoken by Kainani Kahaunaele.

The outlook: Could emerge as a powerhouse CD, with the right launch and exposure.

Our take: There's more erupting on the Big Island than Madame Pele's dance — Moemoea is setting off its own fireworks.

"Spiritual Nation" by Moemoea. Audio sample available in mp3 format.

"WAIKIKI" by Keith Scott; Eroica/Turn On Records

Distinguishing notes: Keith Scott, born in York, Pa., and formerly a Tampa Bay resident, has settled in Honolulu. His jazz style is a fusion of elements; he plays flugelhorn and piano at the same time, creating a velvety mix of sounds and manners. He travels traditional jazz turf but navigates and sails through pop-influenced territory as well, doing a few "covers" (such as "Rhapsody in Blue") but also eight originals, including the title song. There's a sweet, gentle flow in his line-up. His take on Chopin's "Minute Waltz, Op. 64, No. 1," hurls him into the classical genre, though Scott's treatment even suggests an element of ragtime. His interpretation of Santana's "Europa" is inspired and right on the mark, with the flugelhorn utilized as an expressive voice. Yet this set doesn't shout at you; it's a gentle and relaxing excursion into the soul of a committed musician. "Until There Was You," an original, even has a soothing new-age George Winston or Jim Brickman aura.

The outlook: This is a wonderful, easy-listening "find."

Our take: Great Scott — we have a stellar artist awaiting induction into the galaxy of Island music greats.

"Until There Was You" by Keith Scott. Audio sample available in mp3 format.

"STRAIGHT TO THE TOP" by So Divine; SD Records

Distinguishing notes: So Divine is comprised of Ainsley Tolentino, vocals, rhythm guitar and 'ukulele; Richard Noa, vocals, rap and rhythm uke; Kapua Galletes, vocals, lead guitar; and Terrance Langsi, vocals, bass and lead guitar. The group's sound switches from middle-of-the-road and wholesome ("Life," "Give to You," 'Brother's Love," "Straight to the Top") to Jawaiian ("Love Slave"), with a couple of titles, including "Holding Her and Loving You" awaiting break-out success. There are inspirational tracks, too, such as "Thank You," which is storytelling that embraces a message of faith. To validate its Hawaiian roots, the group also performs, in Hawaiian, a delicate and emotive "Queen's Jubilee."

The outlook: A mixed bag that reveals some nuggets, if you search.

Our take: Despite a collision of song styles, So Divine is delightful — offering a glowing sound without the froufrou.

"Life" by So Divine. Audio sample available in mp3 format.

Reach Wayne Harada at 525-8067, wharada@honoluluadvertiser.com, or fax 525-8055.