Ladies who think pink
By Paula Rath
Advertiser Staff Writer
The most talked-about accessory was Elizabeth Lacy's arm cast and sling.
Lacy, who is chairing Contempo, the April 24 sold-out fund-raiser for the Contemporary Museum to be held at Neiman Marcus, was injured when "a novice surfer spun out and came across my board and caught me in my left arm, breaking the interial radial forearm" at her favorite break, Canoes.
Lacy now has a stainless-steel plate with seven eight-inch screws to hold her arm together, permanently. For now, her sling is an institutional blue and white, but she has commissioned artist/designer Joey Caldarone to paint and embellish it to match her gown for the black-tie event.
She'll be wearing pink the color of the season in a Melinda Eng gown from Neiman Marcus with a Grecian influence, draping gracefully from shoulder to bodice, floating down to an asymmetrical hem.
Honolulu's social set
The fashion show, put on by Neiman Marcus for the women who support the Contemporary Museum, offered a glimpse into the Who's Who of Honolulu's social set.
Dressed in feminine skirts and sweater sets, chic linen pants suits and a dazzling array of diamonds, women enjoyed a show that captured the feminine, flirtatious spirit of spring 2004.
Neiman Marcus served a bite-size brunch on pastel plates embellished with fashion sketches.
The show opened with athletically inspired looks in brights and white: flat-front pants with shrunken jackets and Pucci tops.They're technical designs in luxurious fabrics it's body-conscious urban sportswear with a tropical twist.
Accessories are as colorful and exciting as the clothes: turquoise strappy sandals, pale pink stilettos embellished with bows, handbags with details, details and more details.
Evening looks were also body-conscious, but in a ladylike, flowing way. Layers of chiffon, a plethora of pleats and details such as gaudets and ruffles added to the allure.
Every shade of pink, from a whisper-soft ballet pink to a sizzling hot pink, was on the runway. Other colors included sky blue, peach, lime green, lemon yellow and tangerine. A little black was in evidence, a nod to our local love affair with black after five.
Polka dots, paisleys, Pucci prints and even a smattering of Marimmeko-inspired '60s mod graphics replaced the usual sedate monochromatic palette.
The Grecian look of a softly pleated, sculptural bodice was featured in several gowns and elicited ahhhhhs from the audience. This is a figure-forgiving drape, often appreciated by women past 35.
Many of the tops were corseted, cinched and boned, almost lingerie-like on top, while skirts were gently constructed with multiple seams and layers to add grace and movement.
A show-stopper was the BCBG pink rabbit-fur bolero jacket paired with a lace-beaded ball skirt by Chetta B. Eliciting applause was a blush gown with pleated top and tiered skirt by Victoria Royale; from each tier hung a mini-chandelier of seed pearls and beads.
Down to reality
As is often the case when the runway meets reality, several women opined there was nothing for them in the show.
Overheard was the comment: "I don't know what I'm going to wear, but I can't wear what those tiny models wear. I need sleeves!"
Others, however, went shopping. Georgiana Lagoria, executive director of the Contemporary Museum, tried on a layered black silk chiffon gown with a flowing white scarf affixed to the shoulder. Cherye Pierce fell in love with an Issey Miyake gown, while Vi Loo was scouring the second-floor Galleria hoping to find the perfect dress.
Whether shopping for prom or a black-tie affair, this is the season to be prim and proper. It's all about femininity with a flourish. After all, even Madonna has traded in her torpedo bra for a tweed suit.