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The Honolulu Advertiser

Posted on: Friday, September 3, 2004

STAGE REVIEW
Great Sinatra tunes, flawed dialogue

By Joseph T. Rozmiarek
Special to The Advertiser

"My Way," a collection of Frank Sinatra songs loosely collected into a musical revue, opens the new season for Manoa Valley Theatre.

Sherry Chock Wong and Elitei Tatafu Jr. dance in "My Way," playing at Manoa Valley Theatre.

Gregory Yamamoto • The Honolulu Advertiser

More than 50 songs make up the evening, and you don't need to be an avid Sinatra fan to recognize and enjoy them. Over his long career as big band singer, actor, and entertainer, Frank Sinatra gave his signature style to a vast body of popular music and sustained his position as a song stylist and personality long after his voice passed its prime.

Despite the familiarity of the music, the MVT production has difficulty holding itself together as a stage piece. "My Way," conceived by David Grapes and Todd Olson, has only the thinnest continuity. Snippets of dialogue that bridge the musical numbers give some biological facts — Sinatra swam to sustain his breath control, he ate six meals a day to keep up his strength, he married four times but dated a lot. At worst, the dialogue is an embarrassing gospel according to Sinatra, with repeated passages beginning "Frank said ..."

Not much happens on stage. Two couples hang out at a bar and small cocktail table on opposite sides of the band. Their interplay suggests casual dating, flirtation, and minor spats. They also dance a bit.

'My Way'
  • 7:30 p.m. Wednesdays-Thursdays, 8 p.m. Fridays-Saturdays, 4 p.m. Sundays through Sept. 19
  • Manoa Valley Theatre
  • $30, $25, and $15
  • 988-6131
The set has a nightclub feel, musical director Corin Overland leads a three-piece combo, and Jim Hutchison directs and choreographs.

The four singers have passable, but not arresting voices. There are no show-stopping moments. Mostly they simply sing the songs, sometimes with feeling and sometimes with a small twist that makes you listen a bit harder.

Most successful is Jamie Roftsmeyer, who's obviously an actress and a bit of a comic in addition to being a singer. When she does "My Funny Valentine" or "Guess I'll Hang My Tears Out to Dry" the audience pays attention. Roftsmeyer is able to bring real feeling and a suggestion of character to the songs, turning them into mini-dramas that touch real emotions.

Sherry Chock Wong is most effective singing in her lower register and can give a vigorous belt to "South of the Border." But when she moves into her upper register, her voice thins out and becomes almost tentative. It's as if there are two voices in the same singer rather than a single voice with a connected range.

David Vega has some good comic moments, but a raspy voice that suggests he's singing over a cold and a distracting way of squinting and fumbling with his double-breasted tuxedo that pulls focus from the music.

Elitei Tatafu Jr. is a young performer who comes across as fresh and unspoiled, with a pleasant untrained voice that tends to go occasionally flat.

Somewhat uneven as soloists, the singers do well in their quartets, where harmony, and perhaps the security of numbers, puts them in good position on songs like "All The Way" and "Dream." They also work up to a spirited finish with "survival" numbers like "That's Life" and "My Way." But despite the adrenaline rush at the end, the production closes with Frank Sinatra still several miracles short of sainthood. Ol' Blue Eyes comes across as fun-loving guy who only lived once, but, for him, once was enough.