Posted on: Wednesday, September 22, 2004
New 'CSI' overtinted and a bit underdone
By Frazier Moore
Associated Press
Now available: A brand-new color in the "CSI" palette!
Now "CSI: NY" arrives in its own distinctive shade Dusky Blue with a dour mood to match.
While "CSI: NY" resembles its fellow forensics dramas in the sort of crimes it tackles, the need to set this edition apart from the others has resulted in dusky visuals and laconic dialogue that make the show as deadly as its subject matter. There's no flashy Vegas decadence or Sunshine State glow to play the crime against. Just grinding urban despair.
And blue. Lots of blue. On this show, even daytime in Manhattan has a blue tint.
Further weighing things down is a contrived 9/11 angle. Detective Mack Taylor (the distinguished film and stage actor Gary Sinise) still grieves for his wife, killed in the World Trade Center three years ago.
His partner, detective Stella Bonasera (Melina Kanakaredes, "Providence"), is worried about him.
"Can't sleep?" she asks.
"What's sleep?" he replies.
Since he isn't sleeping, Taylor works around the clock, and the premiere episode provides a troubling case: Some psycho with control issues is trying to put women in a permanent coma state, just to keep them around.
You can't blame CBS for wanting to maximize a hit concept. (What's next? "CSI: Peoria"?) But the producers shouldn't lose sight of the need to entertain.
As everyone knows, the original hit, set in Las Vegas, has a filmic look you might describe as Chrome and Neon. Spinoff "CSI: Miami" is Tropical Tawny.
'CSI: NY'