Travolta, 'Ladder 49' keep it real
By John Monaghan
Knight Ridder News Service
John Travolta can't see the hand before his face, but he can feel the heat.
Steve Ruark • Associated Press
He thinks he hears someone to his right, though it could just be a voice bouncing off a wall. He gropes in front of him on hands and knees and feels the floor fall away in front of him. Is it a 3- or 30-foot drop? He only knows he has to act before the room gets any hotter.
John Travolta plays Baltimore Fire Chief Mike Kennedy in the movie "Ladder 49," opening Friday.
What sounds like a scene from the new firefighter drama "Ladder 49" is not: It is part of the training Travolta and costar Joaquin Phoenix undertook for their roles. And while neither is claiming these sessions made them bona fide firefighters, they hope that their respect for the profession shines through in every frame.
"The movie was bigger than all of us," Travolta says. "Only a couple of times in a career do you get to do movies for a bigger reason than yourself."
"We wanted to be truthful and authentic," Phoenix says. "We didn't want to pull punches. It seems so often in film you have to create these scenarios in which your protagonist has to do something heroic, and it always feels very contrived. Here we don't have to create these fake scenarios. These are real heroes saving people every day."
In "Ladder 49," Phoenix plays Jack Morrison, a Baltimore fireman who gets trapped deep in a blazing warehouse. As fellow firefighters try to dig through the rubble to get him out, the story flashes back to his days as a rookie, learning the ropes from fire chief Mike Kennedy (Travolta) and starting a family with wife Linda (Jacinda Barrett).
The 29-year-old Phoenix, so soft-spoken he barely seems able to blow out a candle let alone a five-alarm fire, says the three months spent with Baltimore firefighters provided invaluable background for his role. Once inside a burning building, he says, "You can't see, you can't hear, you can't really touch anything. All these senses are muted and it's really scary."
Realism is what sets the movie apart from Ron Howard's 1991 hit "Backdraft." The Internet site www.nitpickers.com is filled with accounts of firefighters literally yelling at the screen when rescue units in Howard's film stormed burning buildings without the proper equipment, especially masks.
Gannett News Service
"Ladder 49" presents the more routine and sometimes mundane aspects of life in a firehouse — just guys battling blazes and trying to hold their families together.
John Travolta, right, plays a fire chief who must decide how many men to risk in an effort to rescue a firefighter trapped in a blaze.
While critics may still pick at the melodramatic elements, firefighters who have seen it at preview screenings give it high marks.
For Travolta, the key question in the film was the chief's choice to put more and more men at risk in attempting to rescue Morrison, who had become like a younger brother to him. "I asked some firefighters what they thought they would do," Travolta says. "At first they said 'No,' they wouldn't have done it, and then their wives said, 'Oh, yeah, right,' and they had to cop to it. Almost all would have done the same thing."
Aside from the chance to work with Phoenix, Travolta says he was attracted to the physicality of his role. "Every scene involving fire was bordering on danger," says Travolta, who wasn't wearing gloves in one scene and burned himself on the red-hot metal tags of Phoenix's coat. "We were risking more than we should have. It was always, 'Is anybody looking? OK, let's do it.' "
Helming a big-budget movie about firefighters seems an odd fit for Jay Russell, but the director says it's not that different from his work on movies like "Tuck Everlasting" and "My Dog Skip."
"I like to call this a character movie that has action as opposed to an action movie that has characters," he says.
Russell realizes nitpickers will invariably take swipes at the film's accuracy, but he thinks it comes closer than any film so far. To truly portray a firefighting situation, he says, you would have to place the audience literally in the dark. "Once you hit a burning fire with water, a blackout happens," he says. "Smoke comes at you and, even on the brightest day, everything goes pitch black."
Russell insists that the movie was in the works before Sept. 11, 2001, but admits that the tragedy has made the sacrifices of firefighters a hot topic. Yes, he says, the movie is dedicated to those who died during the terrorist attacks, but "it's also a tribute to the firefighters who died on 9/10, 9/12 and 9/13," he says.
"On 9/11 the world saw, in a glimpse, what happens every day."
