LOS ANGELES — Hey, Disneyland, you've just celebrated your 50th anniversary. What are you going to do next?

As its original theme park hits the half-century mark today, the Walt Disney Co. is facing some critical challenges.

One is geographic. The company is set to open its 11th park, in Hong Kong, in September, and could soon announce plans for another in mainland China. How many more places in the world can support a massive new multiday theme park?

Disney's biggest challenge, however, could be keeping the attention and dollars of a generation raised on video games that demands more control over its entertainment than most Disney attractions provide.

"Almost everything Disney does today is passive, while kids today expect everything to be interactive," said Martin Lindstrom, a brand expert and author who has consulted for Disney and other companies such as Mattel Inc.

Disney is counting on the Internet, cell phones, digital projectors and other technology to make its parks more appealing to Generation Y while maintaining the nostalgia that appeals to baby boomers.

"The problem is that they're not doing it the full way, they're doing it a little bit," Lindstrom said. "If they don't do it, five or six years from now they will have a major problem."

Disneyland was wildly innovative when it opened on July 17, 1955. Founder Walt Disney used robotic figures, holographs and panoramic movies in circular theaters to spin stories for children.

Over the years, Disney has pioneered new technology in rides such as "Mission Space" at Epcot in Orlando, Fla., and the revamped "Space Mountain" in Anaheim. But these days, the company finds itself competing against parks that feature taller, faster and scarier thrill rides.

"Disney is always going to address the competition, and the competition isn't just other theme parks," said Bill Coan, a former Disney employee who is now with Itec Entertainment, which designs theme park attractions.

"It's video games, 120 channels of TV and shopping malls," he said.

The safety of new attractions will be a concern for Disney, which has long said it would never do anything to compromise the safety of its guests.

In Florida, a 16-year-old girl remained in critical condition after suffering cardiac arrest Tuesday on the "Twilight Zone Tower of Terror" thrill ride. A month ago, a 4-year-old boy passed out and died after riding Disney World's "Mission: Space" ride. His cause of death was still undetermined.

The "Twilight Zone" ride was reopened Wednesday, after engineers deemed it safe.

Disney's parks and resorts division earned $193 million in operating profit during the second fiscal quarter, up 3 percent from the same quarter last year. Attendance at Disney's domestic parks is beginning to approach pre-Sept. 11 levels.

Disney already is introducing innovations at its parks around the world. "Buzz Lightyear Astro Blasters" was recently unveiled at Disneyland. Riders turn circles in their cars while shooting laser cannons to defeat the evil Emperor Zurg.

They compete for points, but the interactivity doesn't end there. People at home can download a free video game and play right along with the riders in real time.

One of the more ambitious interactive experiments is the "Virtual Magic Kingdom," where players compete in cyberspace versions of Disney parks. They're given tasks, like finding images of Mickey Mouse hidden in the architecture, then receive points to "purchase" hats, T-shirts or other items for their online personas.

Cell phones also figure to play a role in parks of the future. An adventure game, for instance, could require guests to take a particular picture with their camera phone to activate an animated clue.

"I look at this group as the audience that we've always wanted," said Bruce Vaughn, vice president of research and development at Walt Disney Imagineering, which designs and builds theme parks and hotels.

"The more people want to be immersed and involved in the stories, the more opportunity there is for us to differentiate the theme park experience form any other sort of storytelling experience," he said.