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The Honolulu Advertiser

Posted on: Monday, May 16, 2005

Goodbye, Raymond

By Lynn Elber
Associated Press

"Everybody Loves Raymond" wasn't hip, wasn't cool and missed out on the magazine covers that usually fawn over flavor-of-the-season TV shows.

The cast of "Everybody Loves Raymond" at the taping of the show's final episode at Warner Bros. Studios in Burbank, Calif., in January. From left are Ray Romano, Patricia Heaton, Doris Roberts, Peter Boyle, Brad Garrett with his two children, Sullivan Sweeten and Madylin Sweeten, and Monica Horan. The show has ranked in the top 10 programs since the 2000-01 season.

Associated Press/CBS, Richard Cartwright

Instead, it settled for a nine-season run; consistently high ratings; a total of 12 Emmy Awards, and the rare virtue of leaving before, not after, it ran out of laughs.

CBS' family comedy finally is getting the attention it deserves, including those elusive cover stories and the manic network marketing push that befits the end of a hit show.

But what counts for creator Phil Rosenthal is what's symbolized by the photos on his office wall of Jackie Gleason of "The Honeymooners" and Sid Caesar and Imogene Coca of "Your Show of Shows" — humor for the ages.

"We have something far more valuable in every way, something of lasting value, something you might watch with your grandkids," Rosenthal said during production of one of the final episodes.

Series star Ray Romano, a standup comedian turned actor, agrees.

"This is my legacy. This is what I'll be remembered for," he said.

The 210th and final episode airs at 8 tonight. It's preceded by a one-hour "Raymond" retrospective.

'Everybody Loves Raymond'

Retrospective, 7 tonight

Show finale, 8 tonight

CBS

The show's departure, on the heels of "Friends," "Frasier" and "Sex and the City," increases the sitcom shortfall. This year, "Everybody Loves Raymond" is the only top 10 comedy and just one other, "Two and a Half Men," also on CBS, in the top 20.

The network is saying a reluctant farewell: It was Rosenthal and Romano's call to end the series and with an abbreviated 16-episode season, which they said reflected how many stories were left to tell.

As with most enduring sitcoms, "Everybody Loves Raymond" was rooted in simplicity: A husband, wife and kids and the extended family that infringed on their lives, welcome or not.

There was bickering, grudging affection and various family crises, usually minor, for Ray and Debra Barone, played by Romano and Patricia Heaton. He brought to the marriage his meddling parents (Doris Roberts and Peter Boyle) and sad-sack brother (Brad Garrett).

The marital push-and-pull between Ray and Debra was at the show's center.

Ray Romano, holding the microphone, introduces co-star Brad Garrett.

Chris Pizzello • Associated Press

This season, Ray experimented with rejecting his wife's bedroom advances after deciding she was nicer to him when he played hard-to-get.

Debra's furious when she discovers the game.

"You had me convinced I was a fat, ugly old lady," she tells Ray.

He fires back: "You felt bad 'cause I turned you down, what, three times? Try being rejected 40 or 50 times for the last 10 years. How do you think that feels, huh? You're talking to the president of the Fat, Ugly Old Ladies Club. Welcome! Have a doughnut!"

For Romano, "stories I can relate to and identify with" are what he values in comedy, whether standup or sitcom.

"That's what we brought to this show. It's what I think is the one thing appeals to the audience: They see themselves and then you have to make it funny," he said.

WHAT'S NEXT?

So where do the actors go from here as the CBS comedy wraps up its nine-year run?

RAY ROMANO: will appear with his "Everybody Loves Raymond" creator-producer, Phil Rosenthal, at 7:30 p.m. June 11 at the Blaisdell Concert Hall.

The evening will be a comedic look at how "Raymond" evolves as a CBS sitcom.

Tickets: $35, $45 and $55, on sale this Friday at the box office and Ticketmaster outlets.

In addition, Romano wants to continue his standup comedy and would consider another sitcom, but probably not on a broadcast network. He's intrigued by Larry David's HBO comedy "Curb Your Enthusiasm."

Then there's films. "I don't know, my track record isn't good so far with movies. I'm kind of 0 for 2, as we stand now," said Romano, who was in the box-office misses "Welcome to Mooseport" and "Eulogy."

He had better luck with the animated "Ice Age" and will be back with "Ice Age 2," due in 2006, but he's giving live action another try with the upcoming "Grilled," co-starring Kevin James.

Money shouldn't be a problem: At a reported $2 million per episode this season, Romano, 47, was TV's highest-paid actor.

PATRICIA HEATON: She has a development deal with ABC and a preference for comedy, although no series is set for now. "It's what I do best," said Heaton, 47.

BRAD GARRETT: "I have that odd dynamic: I'm picky and not in demand. It's a brutal combination. I'm turning down stuff I'm not even offered."

But seriously, folks, there's talk of an "Everybody Loves Raymond" spinoff with Garrett, 45, and Monica Horan reprising their roles. He says any series would "have to be really, really right."

Plans a standup comedy tour this spring.

DORIS ROBERTS: "Who knows after this? Nobody writes for older people," says the 74-year-old Roberts who, although she works steadily, has been an outspoken critic of Hollywood's age bias.

She reportedly is set to co-star in Adam Sandler's "Nana's Boy."

PETER BOYLE: The only series lead to miss out on an Emmy despite repeated nominations, Boyle could be allowed to rest on his laurels from a long, distinguished career. But word is the 69-year-old actor is looking for another TV show.

Celebrity guest stars weren't key but helped demonstrate the show did have a winner's cachet. Ray's sportswriting job provided an excuse for visits by Kareem Abdul-Jabbar, Barry Bonds, Kristi Yamaguchi and others.

Other sitcoms have exited with an expanded finale; Rosenthal rejected that approach, eager to remain true to the half-hour format. He's close-mouthed about details although, as Romano tells it, he and Rosenthal wanted to be faithful to the show's spirit.

"Every week it's just a new episode in our life," Romano said. So there's nothing to wrap up, no leap in which a character dramatically breaks out of his or her routine.

"But there's a pressure to have a good episode and for it to have some emotional resonance, a little bit more than normal without going too over the top with life-changing moments, which we're not going to do," he said.

Rosenthal acknowledges the need for a satisfying ending.

"I feel a great obligation to not disappoint. ... Even if you've had a great run and end badly, there's a little bit of taint on it. The series is a whole unto itself and has to be treated as a body of work."

He takes the sitcom genre, as perfected by such classics as "The Honeymooners," "The Dick Van Dyke Show" and "All in the Family," very seriously.

"These are shows where the humor and stories came from character," Rosenthal said. "So many shows are just joke bags, just 'Make them laugh for now, don't worry about the future because we may be off tomorrow.'

"I always thought it's not worth having a tomorrow if that's going to be what it is."

His series, based on both Romano and Rosenthal's family life, was a hard sell in the mid-'90s when networks wanted endless incarnations of NBC's "Friends," about pretty young singles looking for love.

"People didn't jump up and down when we told them the premise of the show, a guy lives across the street from his parents," Rosenthal said. "They were all saying, 'Make it hip, make it edgy."'

CBS executive Leslie Moonves gambled on the series and stood by it when it debuted Friday, Sept. 13, 1996, to good reviews but low ratings.

A move to Monday in March 1997 pitted the comedy against the popular "Ally McBeal" on Fox and ABC's "NFL Monday Night Football," but it thrived. The CBS comedy jumped from 73rd to 13th among prime-time shows and has ranked among the top 10 programs since the 2000-01 season.

The show's outline was taken from Romano's life, said Rosenthal: He and his family lived near his parents, and his older brother was a police officer who often muttered darkly that, while he faced criminals and bullets, "everybody loves Raymond."

"What I didn't know about the character of his family, I filled in with the character of mine," Rosenthal said. He and Romano are executive producers on the series.

"It's the happy, or unhappy, marriage of our families. Ninety percent of what you see on the show happened to me or Ray or one of the other writers," Rosenthal said.

With production over and the publicity nearing its end, Rosenthal plans a breather before moving to something new. Talk of an "Everybody Loves Raymond" spinoff is on hold until after the networks present their fall schedules later this month, he said.