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The Honolulu Advertiser
Posted on: Friday, November 25, 2005

Diverse writers plot 'Lost'

By Dinah Eng
Gannett News Service

The people who know the secrets behind the unfolding story of castaways stranded on a remote island on the ABC series "Lost" know that somewhere in our collective imagination, we all hunger for life's answers.

Behind the mystery of the hatch, the Others and those darn numbers is a creative writing staff that is constantly examining the journey of life from various cultural viewpoints, and conjuring up adventures that fans can relate to on multiple levels.

"The show is called 'Lost' because all the characters are lost in their lives," says Damon Lindelof, co-creator and executive producer of the show. "We're really telling redemptive stories. We show character flaws in the past, and explore ways these people can evolve on the island and redeem themselves."

Each week, 10 writers collaborate to create the tales that feature 14 major characters in a production process filled with tight deadlines. During November sweeps, the schedule is so packed that a request for a photo shoot of the writers was denied for lack of time.

Behind the scenes, everything begins in "the writers' room" on the Disney Studios lot in Burbank, Calif., where the staff gathers to throw out ideas and chart story lines on big white eraser boards. Once Lindelof and executive producer Carlton Cuse approve a story, a writer is assigned to craft an outline, which must be approved by the network. Writing then starts on as many as eight drafts before an episode is shot.

"We have an eclectic and diverse group of writers who have a shared vision of the show but bring a unique perspective to the storytelling," says Cuse. "The premise of the show — a plane traveling internationally from Sydney to Los Angeles crashes on an island — is a great vehicle for showing how people from diverse backgrounds can knit together as one society.

"One of the most important messages of the show is that ... our survival as a human race depends on our ability to trust each other. Despite the ... darkness of our storytelling, there's a hopeful message of optimism. We relish the opportunity to do that across the board with actors who come from different backgrounds and perspectives."

The writing staff is also one of the more diverse ones in Hollywood, comprised of eight men and two women, two of whom are Asian-American. One is Hispanic-American.

"Lost" supervising producer Javier Grillo-Marxuach says the show's work environment is one of mutual respect, freedom and fun, allowing everyone to share ideas without fear.

"The writers' room is the world's most sustained and lengthy group therapy session," says Grillo-Marxuach, laughing. "We're all introspective and slightly neurotic. We make 22 episodes during the year, and there's a push to get more incidents and emotion into shows during the sweeps period, so there's pressure to outdo ourselves during those times."

What's fun, he says, is shaping stories and seeing a part of yourself in the final product.

"When I was a senior in high school, some friends and I stole all the snowmen in a neighborhood and put all of them in someone's yard," Grillo-Marxuach says. "When we did the Hurley episode, it became a sequence where Hurley and his friend stole garden gnomes and put them in the evil boss' front yard."

Christina Kim, the staff's most junior writer, says she identifies most with the show's female characters, and tends to speak up when story lines involve the Korean couple, Jin and Sun, or potential romances.

Kim, who graduated from film school two years ago and was hired after completing the CBS Diversity Institute Writers Mentoring Program, has "helped out with Jin and Sun's story. We have a translator in Hawai'i who translates dialogue into Korean, and it comes back to me to make sure it all makes sense."

Fans are constantly trying to figure out what's next for the characters on the island, but like all good storytellers, none of the show's writers are talking.

"We know the answers to what the mysteries are, and who the characters are," says Lindelof, "but the process of how that unfolds has to remain organic and evolve. You hear lots of ideas, and we're all finding the answers together."