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The Honolulu Advertiser
Posted on: Friday, September 9, 2005

Changes surround classical guitarist

By Wayne Harada
Advertiser Entertainment Writer

Classical guitarist Christopher Parkening said he's privileged to carry on the tradition of his late mentor, Andrés Segovia, who taught Parkening the value of hard work and discipline.

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CHRISTOPHER PARKENING

Guest guitarist with the Honolulu Symphony Orchestra, in the Halekulani MasterWorks season opener

  • 8 p.m. today, 4 p.m. Sunday

  • Blaisdell Concert Hall

  • $22-$73

  • 792-2000, (877) 750-4400

  • Guest conductor: Rossen Milanov

  • Program: Ravel's "Rapsodie Espagnole," Rodrigo's "Concierto de Aranjuez," Mussorgsky's "Pictures at an Exhibition"

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    Christopher Parkening is notable for his classical guitar wizardry and his devotion to carrying on the tradition of the late Spanish great Andrés Segovia, under whom he once studied.

    "Segovia was my musical inspiration while growing up, and he singlehandedly brought the guitar to the position of a major classical instrument," said Parkening, 57, by telephone from his Malibu home. Segovia died in 1987 at age 94.

    "It was a great privilege to study with him — and I have felt he's the greatest for four reasons: one, he had great technique; two, he had a uniquely beautiful sound; three, his musicianship was remarkable — such feeling and passion; and four, he had the ability to communicate all of this to the public, from which he had wonderful support."

    Pretty much the same can be said of Parkening, who joins the Honolulu Symphony Orchestra in the season-opening MasterWorks concerts tonight and Sunday at Blaisdell Concert Hall.

    Change and growth are under way for Parkening these days:

  • He is launching the Parkening International Guitar Competition in May to June 2006 at Pepperdine University in Malibu, where he teaches. The new contest is envisioned as the pre-eminent classical guitar competition, to identify artists in the making; it is to classical guitarists what the Van Cliburn competition is to pianists.

  • He is starting a major concert tour this month, performing Elmer Bernstein's "Concerto for Guitar" in mid-September in Augusta, Ga., before going to Seoul and Tokyo, where he will offer solos of the Bernstein and Rodrigo's "Concierto de Aranjuez." Other dates follow.

  • He is finishing up an autobiography (working title,"Graze Like a River"), due to be released by Tyndale Press in June.

  • He is a proud new dad; his wife of nearly eight years, Teresa, gave birth to Luke, now 17 months old. They sometimes travel with him, but Parkening is here alone this time.

    He said he feels privileged to carry the Segovia torch. "I have such great admiration for him," Parkening said. "He once told me, 'The pursuit of excellence requires hard work and discipline, over and above success,' and I try to emphasize this with my students at Pepperdine."

    Parkening said he is immersed in planning the guitar competition bearing his name (he serves as artistic director), which will offers cash prizes totaling more than $50,000. The top winner will also earn a professionally managed performance with the Los Angeles Chamber Orchestra and a concert tour with orchestra and solo recital.

    If there's one thing that stands out in Parkening's memories of his guitar guru, it's that there's no such thing as enough practice. "When I left Spain, Segovia told me in his Spanish-flavored English, 'Christopher, you must work very hard.' I told him, 'Maestro, how many hours a day must I practice?' He told me, 'I practice 2 1/2 hours in the morning, 2 1/2 hours in the afternoon.' If Segovia has to practice that often, how many hours do I have to practice? And he played till he was 94."

    Parkening's career takes him around the world frequently, which means a lot of time in the not-so-friendly skies.

    "Travel has become difficult since 9/11," he said. "But it's part of the life of a concert musician. It's something I don't enjoy anymore."

    He said he often hand-carries his guitar on flights. "Now and then, I buy a seat for it. When I do, it goes under the name 'Parkening Guitar.' I had a gate attendant once ask me if she had ID," he said, chuckling.

    Reach Wayne Harada at wharada@honoluluadvertiser.com.