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The Honolulu Advertiser
Posted on: Friday, May 19, 2006

Breaking the 'Code'

By Richard N. Ostling
Associated Press

Harvard professor Robert Langdon (Tom Hanks) is the pivotal character in Dan Brown's "The Da Vinci Code," called in to help solve a murder and the secret of Mary Magdalene.

Sony Pictures

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A murderous monk (Paul Bettany) tries to learn the secret to quash it.

Sony Pictures

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Da Vinci's "Mona Lisa" is part of the plot.

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"The Da Vinci Code" is basically a murder-mystery thriller.

The curator of the Louvre, Paris' famous art museum, has been killed under bizarre circumstances. The investigation pulls in a Harvard professor who's an expert in religious symbols, and the murdered man's granddaughter, a cryptologist for the French equivalent of the FBI.

As they elude attacks, the two learn that the murder is tied up with an ancient conspiracy:

Jesus and Mary Magdalene were married and had a child, and a society exists to protect the descendants of that union.

Where does Da Vinci come in? The story says he knew the secret and put clues in his paintings.

Will the heroes decipher the secrets before they're captured or killed? Will they find the Holy Grail? Is any of the history true? So far, at least 46 million people have bought the book to find out.

Jeffrey Weiss, Knight Ridder News Service

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Forty-six million readers can't be wrong but the book might be. Excerpts from scholarly critics of the blockbuster:

"There were numerous mistakes, some of them howlers, which were not only obvious to an expert but also unnecessary to the plot. ... Why didn 't he simply get his facts straight?"

— Bart D. Ehrman | "Truth and Fiction in The Da Vinci Code"

"It repeatedly misunderstands or misrepresents people, places and events. "

— Carl E. Olson and Sandra Miesel | "The Da Vinci Hoax"

"What is the likelihood that Jesus was married?

The answer here is short — none. "

— Darrell L. Bock | "Breaking the Da Vinci Code"

"This is why 'The Da Vinci Code' is so dangerous. Many readers assume that all of the ... detail involving Christianity is true when it is not. Rather, the few factual references are heavily interlaced with fiction or outright falsehood. "

— Hank Hanegraaf and Paul L. Maier | "The Da Vinci Code: Fact or Fiction?"

"... a startling number of blatant, glaring errors on matters great and small ... "

— Amy Welborn | "De-Coding Da Vinci"

"One can see why the issues of 'The Da Vinci Code' have people talking, arguing, searching — however ... rewoven or spun out of whole cloth the religious history may be. "

— Dan Burstein | editor, "Secrets of the Code"

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A line from Dan Brown's "The Da Vinci Code" tells you why it's arguably among the most disputed religious novels of all time: "Almost everything our fathers taught us about Christ is false."

With 46 million copies in print, "Da Vinci" has been a headache for some Christian scholars and historians, who are worried about the influence on the faith from a single source they regard as wrong-headed.

The controversy seems headed for a crescendo with the release of the movie version of "Da Vinci" this week around the world. Traditional believers have released a flood of material books, tracts, lectures, Internet sites criticizing the book. The conservative Roman Catholic group Opus Dei, portrayed in the story as having a villainous member, is among those asking Sony Corp. to issue a disclaimer with the film.

Bart Ehrman, religion chairman at the University of North Carolina-Chapel Hill, likens the phenomenon to the excitement in the 19th century when deluded masses thought Jesus would return in 1844.

The novel's impact on religious ideas in popular culture, he says, is "quite unlike anything we've experienced in our lifetimes."

To give just one example, Ben Witherington III, of Asbury Theological Seminary, is following up criticisms of the novel in "The Gospel Code" with lectures in Singapore, Turkey and 30 U.S. cities. He's given 55 broadcast interviews.

Assaults on "Da Vinci" don't just come from evangelicals like Witherington or Roman Catholic leaders such as Chicago's Cardinal Francis George, who says Brown is waging "an attack on the Catholic Church" through what he calls preposterous historical claims.

Among more liberal thinkers, Harold Attridge, dean of Yale's Divinity School, says Brown has "wildly misinterpreted" early Christianity. Ehrman, in his in "Truth and Fiction in the Da Vinci Code," details Brown's "numerous mistakes" and asks: "Why didn't he simply get his facts straight?"

The problem is that "Da Vinci" is billed as more than mere fiction. Brown's opening page begins with the word "FACT" and asserts that all descriptions of documents "are accurate."

Brown told National Public Radio's "Weekend Edition" during a 2003 publicity tour he declines interviews now that his characters and action are fictional but "the ancient history, the secret documents, the rituals, all of this is factual." Around the same time, on CNN, he said that "the background is all true."

Christian scholars beg to differ. The key issues:


Brown's version in "Da Vinci": Jesus must have wed because Jewish decorum would "virtually forbid" an unmarried man. His spouse was Mary Magdalene, and their daughter inaugurated a royal blood line in France.

His critics' version: First-century Jewish historian Josephus said most Jews married but that Essene holy men did not. The Magdalene myth only emerged in medieval times.

Brown cites the Nag Hammadi Gospel of Philip as evidence of a marriage, but words are missing from a critical passage in the tattered manuscript: "Mary Magdalene (gap in text) her more than (gap) the disciples (gap) kiss her (gap) on her (gap)."

Did Jesus kiss Mary on the lips, or cheek or forehead? Whatever, scholars contend that Gnostics would have seen the relationship as platonic.

James M. Robinson of the Claremont (Calif.) Graduate School, a leading specialist, thinks the current popularity of Mary Magdalene "says more about the sex life (or lack of same) of those who participate in this fantasy than it does about Mary Magdalene or Jesus."

The whole "Da Vinci" hubbub, Witherington says, shows "we are a Jesus-haunted culture that's biblically illiterate" and harbors general "disaffection from traditional answers."

But he and others also see a chance to inform people about the mainstream beliefs of Christianity through the "Da Vinci" controversy.

British Justice Peter Smith, who recently backed Brown against plagiarism charges, perhaps best summed up the situation in his decision:

"Merely because an author describes matters as being factually correct does not mean that they are factually correct. It is a way of blending fact and fiction together to create that well-known model 'faction.' The lure of apparent genuineness makes the books and the films more receptive to the readers/audiences. The danger, of course, is that the faction is all that large parts of the audience read, and they accept it as truth."


Brown's version: Christians viewed Jesus as a mere mortal until A.D. 325 when the Emperor Constantine "turned Jesus into a deity" by getting the Council of Nicaea to endorse divine status by "a relatively close vote."

Critics: Larry Hurtado of Scotland's University of Edinburgh, whose "Lord Jesus Christ" examines first-century belief in Jesus' divinity, says that "on chronology, issues, developments, and all the matters asserted, Brown strikes out; he doesn't even get on base."

He and others cite the worship of Jesus in epistles Paul wrote in the 50s A.D. One passage teaches that Jesus, "though he was in the form of God, did not count equality with God a thing to be grasped" and became a man (Philippians 2:6).

Historians also say the bishops summoned to Nicaea by Constantine never questioned a belief in Jesus' divinity. Rather, they debated technicalities of how he could be both divine and human and approved a new formulation by a lopsided vote, not a close one.


Brown's version: "More than 80 gospels were considered for the New Testament" but Constantine chose only four. His new Bible "omitted those gospels that spoke of Christ's human traits and embellished those gospels that made him godlike. The earlier gospels were outlawed, gathered up and burned." The Dead Sea Scrolls and manuscripts from Nag Hammadi, Egypt, are "the earliest Christian records," not the four gospels.

Critics: Historians say Christians reached consensus on the authority of the first century's four gospels and letters of Paul during the second century. But some of the 27 New Testament books weren't universally accepted until after Constantine's day. Constantine had nothing to do with these decisions.

Some rejected writings are called gospels, though they lack the narrative histories that characterize the New Testament's four. Matthew, Mark, Luke and John were earlier and won consensus as memories and beliefs of Jesus' apostles and their successors.

The rejected books often portrayed an ethereal Jesus lacking the human qualities depicted in the New Testament gospels the opposite of Brown's scenario. Gnostic gospels purported to contain secret spiritual knowledge from Jesus as the means by which an elite could escape the material world, which they saw as corrupt. They often spurned the Old Testament.

On the question of mass burning of texts deemed heretical, Ehrman of North Carolina says there's little evidence for that. Rejected books simply disappeared because people stopped using them, and nobody bothered to make new copies in an age long before the printing press, he argues.

The Dead Sea Scrolls? These were Jewish documents, not Christian ones. The Nag Hammadi manuscripts? With one possible exception, these came considerably later than the New Testament gospels.