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The Honolulu Advertiser
Posted on: Sunday, October 15, 2006

ISLAND SOUNDS
Catingub Orchestra fills air with romance

By Wayne Harada
Advertiser Entertainment Writer

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Matt Catingub's new namesake orchestra — with the help of local and national stars — tracks the sounds of love.

A Maui group puts a healing stamp on to its reggae sound.

California kumu hula and their halau look to the past to create a scholarly document for hula kahiko enthusiasts.

"RETURN TO ROMANCE" BY THE MATT CATINGUB ORCHESTRA OF HAWAII AND GUEST ARTISTS; MOUNTAIN APPLE RECORDS

  • Genre: Pop, world music.

  • Distinguishing notes: Matt Catingub has emerged as a tireless, prolific maestro-performer and his infant Matt Catingub Orchestra of Hawaii amplifies his foray into the Islands' music mainstream.

    As pops conductor of the Honolulu Symphony Orchestra, Catingub is already a popular, high-profile performer. This adjunct orchestra has the potential to expand his horizons even further. With a dream team of guest artists such as Patti Austin, Keali'i Reichel, Toni Tennille, Amy Hanaiali'i Gilliom and the Brothers Cazimero, Catingub pushes the invisible boundaries of orchestral music — as well as pop and Island talent. He has teased impressive outside-the-box performances out of folks we've bounced along to over time.

    For example, trio Na Leo rediscovers "Can't Help Falling in Love" in three-part harmony (with Catingub vocalizing, too). Reichel emotes like a wee-hour cabaret singer in a smoky bo”te on "How Deep Is the Ocean" while Gilliom is all intimacy, warmth and amour on "What Are You Doing the Rest of Your Life?" Tennille — yes, she of "Love Will Keep Us Together" fame, evolves into a seductive torch singer on "I'm Not Through With Romance." The Brothers Cazimero execute a hula vamp on "Let There Be Love," Austin demonstrates her enduring prowess on "My Heart Stood Still," Raiatea Helm chirps like a misty-eyed romantic on "My Romance," Jimmy Borges indelibly inhabits the smooth and dreamy "When I Fall in Love" and Dave Koz's eloquent sax speaks volumes on "A Time for Love." And then there's Catingub himself, blowing sweet blues on his saxophone in "A Time for Love."

  • The outlook: Every listener will find his/her own favorite romantic moment — which is the mission of a mixed bag like this. Catingub has orchestrated a vivid canvas of sentiments for the soul. The Reichel rendering is the keeper, the surprise, the unexpected delight — reason enough for him to contemplate parallel projects outside of his usual comfort zone.

  • Our take: What the world needs now is love songs like these.

    "Can't Help Falling In Love" by Featuring Na Leo, Matt Catingub. Audio sample available in mp3 format.

    "CONSCIOUS HEALING " BY CONSCIOUS HEALING; BASE 2 RECORDS

  • Genre: World music, reggae.

  • Distinguishing notes: Conscious Healing is a Maui-originated seven-member reggae act, featuring Curtis Piligrin, Brad Kahikina, Chris Oana, Stacey Elaban, Jay Arcangel, Riley Edwards and Scott Heintzman. Three members (Kahikina, Oana and Piligrin) are composers, too, though their originals are not properly identified amid the 16-tune lineup of songs. The group's sound is rich, full and dance-oriented, with a powerful three-horn section providing oomph and breadth. The group's posture is optimistic, upholding peace, love, harmony and unity via such tunes as "Behind Me," "Feelin' " and "Revelation."

  • The outlook: In a field rampant with copycats and sound-alikes, it's cool to explore a group with its own identity.

  • Our take: Healing is happily appealing.

    "Conscious Healing" by Conscious Healing. Audio sample available in mp3 format.

    "KALAKAUA " BY KULIA I KA PUNAWAI, WITH 15 PARTICIPATING KUMU HULA FROM 13 HALAU IN CALIFORNIA; DANIEL HO CREATIONS

  • Genre: Traditional Hawaiian oli and mele.

  • Distinguishing notes: This exceptional, scholarly collection of hula oli and mele is part of a rich legacy. The chants were composed expressly for King Kalakaua's Birthday Jubilee and performed on Nov. 16, 1886.

    Kulia i ka Punawai made history in 2004 when all these selections were performed live in the Hawaiian language in a Southern California presentation; this CD, then, is a document of that moment. Kumu hula had to research, then perform each title, to capture the ritualist cadence of the past. Producers Lowell Edgar, Daniel Ho and Amy Ku'uleialoha Stillman have concocted an educational tool with Hawaiian lyrics and English translations in a tidy liner booklet.

    The presenting organization, Kulia i ka Punawai (an association of California hula enthusiasts) is to be applauded for this compelling project. Grammy-winning artist Daniel Ho, too, should receive a maile lei for providing this aural document for current and future generations of hula disciples — and efforts to stage a live performance here are in the works. The release is part of a "Legacy Hula" series, with a next-volume tribute to chants honoring Queen Kapi'olani on the drawing boards.

  • The outlook: With its poetic riches in the native tongue, the disc is a primer for Kalakaua enthusiasts and hula kahiko students; the CD is more academic in importance than entertainment.

  • Our take: A very special endeavor that all halau should adopt. For more information, go to sitemaker.umich.edu /punawai or www.danielho .com.

    "Mele Inoa: Kawika" by Kumu Hula. Audio sample available in mp3 format.

    Reach Wayne Harada at wharada@honoluluadvertiser.com.