honoluluadvertiser.com

Sponsored by:

Comment, blog & share photos

Log in | Become a member
The Honolulu Advertiser
Posted on: Friday, February 9, 2007

ISLAND SOUNDS
Ki ho'alu, uke masters release must-hears

By Wayne Harada
Advertiser Entertainment Writer

spacer spacer
spacer spacer
spacer spacer

Ready for yet another Hawaiian slack-key entry?

How about 'ukulele?

Steve Sano's ki ho'alu and Gordon Mark's ukemanship prove they are masters of their chosen genre.

Newcomer Paul Hanna is trying to find his groove in his CD debut.

All are worth tuning in to.

"Songs From the Taro Patch (Na Mele Mai Na Lo'i Kalo)" by Steve Sano; Daniel Ho Creations

  • Genre: Ki ho'alu.

  • Distinguishing notes: This is Steve Sano's second CD, arriving six years after his debut, and it resonates with sensitivity and emotion. The mix of Hawaiian titles suits the slack-key format, evoking images of the distant past, a silent moment, a dusty trail, a fragile blossom.

    Sano composed the opening track, "He Huaka'i," for a wedding ceremony, and it's chicly romantic and intimate. Among the best tracks: "Maika'i Ka Makani O Kohala," about the winds of Kohala; you can feel the gentle breezes if you close your eyes, amid the rustic appeal of the countryside. Some classics are here, too, like "Pua Lililehua," "Kaulana Na Pua" and "Ka Oiwi Nani." And, for variety, a Japanese ditty, "Hikaru Kaigara," which translates effectively to the Hawaiian format. For strummers, Sano provides recording techniques and explanations.

  • Our take: Add Sano-san to the roster of must-hear ki ho'alu masters.

    Sample song: "Maika'i Ka Makani O Kohala" by Steve Sano

    "Personal Notes" by Gordon Mark; Daniel Ho Creations

  • Genre: Instrumental 'ukulele.

  • Distinguishing notes: Gordon Mark has been a uke player for decades; his repertoire has always spanned the genres, from Hawaiian to film to the classics to Tin Pan Alley. Thus, the 11 selections in this outing represent all musical camps, from "Makalapua" (one of the earliest tunes he learned to strum) to popular vocal favorites such as "Pua Lili'a" and "Waika," from pop evergreens such as "Mona Lisa" and "Days of Wine and Roses" to longhair compositions by Chopin. He does a savvy blend of Tchaikovsky with Helen Desha Beamer, demonstrating his limitless instrument and his ability to adapt.

  • Our take: Mark is on target with a gentle, appealing entry — with unabashedly romantic results.

    Sample song: "Pua Lili'a" by Gordon Mark

    "Follow No Trends" by Paul Hanna; KDE Records

  • Genre: World music, adult contemporary.

  • Distinguishing notes: Paul Hanna is new to the music scene — and clearly out to mold his own path, not follow someone else's. He gets a handy assist from Kapena DeLima, son of Kelly DeLima, who produced and engineered and mixed the session, and also plays some instruments.

    Eight of the 10 songs are Hanna's; one, "No Ke Ano Ahiahi," is by Eddie Kamae; the other, "Knockin' on Heaven's Door," is a Bob Dylan classic; neither is particularly memorable. Better: the new stuff with lyrical intrigue and works as a mirror of Hanna's psyche. "Movin' and a Shakin' " has social implications, "Streettalk" has the folksiness of Simon and Garfunkel. Hanna has the potential of becoming a poet laureate of the Isles; this CD is a modest beginning. One misfortune: He should have provided lyrics for potential fans to explore and adopt.

  • Our take: Hanna's at the start of his game.

    Sample song: "Streettalk" by Paul Hanna

    Reach Wayne Harada at wharada@honoluluadvertiser.com.