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The Honolulu Advertiser
Posted on: Saturday, August 2, 2008

In Hollywood, it's obscure anti-heroes to rescue

By Scott Bowles
USA Today

Hawaii news photo - The Honolulu Advertiser

Few superheroes today can match the earnestness of Brandon Routh's Superman.

Associated Press library photo

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SAN DIEGO — Jackie Earle Haley steps inside the Night Owl's spaceship, walking gingerly past the pilot's seats toward the control panel, touching the blinking gauges and dials.

"It's still a little hard to believe," the balding, bespectacled actor says, "that I'm playing a superhero."

But if this year's Comic-Con convention, which wrapped up Sunday, has demonstrated anything, it's that comic-book and superhero movies are not what they used to be.

If anything, they're the opposite. Gone are the lantern-jawed heroes whose raison d'etre was to save mankind from villains threatening to wipe out the populace.

Instead, the anti-hero rules. He drinks heavily. He has problems in bed. He's as likely to kill an innocent as an evildoer. Often, he doesn't care that much for people.

And he's getting hired by the truckloads by Hollywood. After a summer that has seen antithetical superheroes rack up nearly $1 billion, studios can't get enough crime-fighter movies into production, even ones with some unlikely protagonists.

There are more than 42 comic-book and superhero movies in production, and the heroes range from the obvious (Robert Downey Jr. and Tobey Maguire reprising their roles as "Iron Man" and "Spider-Man") to the head-scratching (Seth Rogen as the Green Hornet?).

Even Haley says he never saw himself as the crusading type.

"When I first started acting, the last thing I thought of was being a superhero," he says as he walks through the spaceship used in "Watchmen," the ultimate anti-hero film, due March 6. The 9,000-pound spaceship was rolled onto the floor of the convention, which drew an estimated 130,000 people, and became the most popular display of the five-day pop-culture festival.

"I'm probably the last guy you'd think of playing a superhero," Haley says, signing autographs and taking pictures with fans, some of them dressed as his character, the shadowy hero Rorschach. "I'm no Superman."

Of course, as this summer and this comic-book convention have unfolded, it has become clear that no one is Superman anymore. Perhaps, says "Watchmen" director Zack Snyder, Superman is gone for good.

"They asked me to direct a Superman movie, and I said no," Snyder says. "He's a tricky one nowadays, isn't he? He's the king daddy of all comic-book heroes, but I'm just not sure how you sell that kind of earnestness to a sophisticated audience anymore."

So studios are selling everything else, including bitter themes and obscure heroes.

Consider the summer slate. Few read the comic book "Wanted," but Universal turned the violent, R-rated adaptation of the assassins' story into a $100 million blockbuster. "The Dark Knight" bordered on R-rated violence and became the biggest opener of all time. "Iron Man" cast a former drug abuser in the lead role and received praise from all corners.

"We're casting people not for their names but for their acting ability, even if they're not the obvious choice," says Kevin Feige, president of Marvel Studios. "Sometimes, the least obvious is the best choice."

More obscurity is on the way. Despite a middling box-office performance of $33 million the first time out in 2004, "Punisher: War Zone" re-emerges Dec. 5, with Ray Stevenson as the killing machine. Ray Park, best known as the villain Darth Maul, gets his own comic-book movie in "Iron Fist," coming later this year. Recognize Gabriel Macht? Bone up, because he's in the title role of "The Spirit," a comic-book adaptation out Christmas Day.

"I love what's happening," says Frank Miller, a longtime comic author and director of "The Spirit," who has tried for years to get less mainstream comics onto the big screen. "It's about time our day has come. It just takes studios awhile to see what kind of true art lies in comic books."

Kevin Smith, who owns comic-book stores, writes his own comics and weaves comic-book elements into his films, says the well is endless, at least for now.

"It took Westerns about 30 years to run dry," he says. "I'd say we have at least that long, because there are so many stories ... to choose from. And, unlike Westerns, they say something about modern-day life."