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The Honolulu Advertiser
Posted on: Friday, December 19, 2008

ISLAND SOUNDS
'Kamalei' caps Reichel collection

By Wayne Harada

Hawaii news photo - The Honolulu Advertiser
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Hawaii news photo - The Honolulu Advertiser
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Hawaii news photo - The Honolulu Advertiser
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Hawaii news photo - The Honolulu Advertiser
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"Kamalei" by Keali'i Reichel; Punahele Productions

  • Genre: Traditional, contemporary Hawaiian

  • Distinguishing notes: "Kamalei" is a companion to Keali'i Reichel's earlier "Kamahiwa" compilation, so this one takes on a "Keali'i Reichel: Collection Two" subtitle. If you already own the first, you'll likely want to acquire the second — just to update and complete your Reichel library.

    Archives is the operative word here. Reichel's team has scoped the treasure bin and recycled some very familiar tracks and digitally remastered them. The songs are programmed in a format that Reichel might use in a concert — the flow is sweet, gentle, evocative, very much like the songs he renders and we all have adopted over time. It's "new," but familiar.

    The fare is varied — ancient Hawaiian and English, whimsical and traditional, earthy chanting and brilliant adaptations of someone else's signature tunes.

    How can you resist Reichel's tender version of Sweet Honey in the Rock's iconic "Wanting Memories" or the classic party sing-along classic like "Pupu A 'O 'Ewa" that everyone knows as "Pearly Shells"? So you want simple? Tune in to " 'Akaka Falls." You want gutsy and funny? Revisit Pua Nogelmeier's nifty "Nematoda" and Reichel's whee-ha! reading. And for homogenizing two cultures, how about his mele in kanaka preceding The Beatles' "In My Life" in English? Sweet.

    If you're hula-inclined, you'll get swept into two Reichel creations, "E Ho'i I Ka Pili" and its seductive lyrics and "E O Mai" and its poignant use of water as a metaphor for love.

    A booklet provides lyrics to most tunes and brief "whys" about the chosen songs. The packaging resembles Collection One in theme and look, so you'll note it's part of a series. So somewhere down the line, there could be a Collection Three.

  • Our take: This is no ordinary compilation. The revisit reinforces the obvious: Reichel has a catalog of riches.

    Sample song: "In My Life" by Keali'i Reichel

    "Unforgettable" by Israel Kamakawiwo'ole & The Makaha Sons of Ni'ihau; Poki Records

  • Genre: Traditional, contemporary Hawaiian

  • Distinguishing notes: The track of interest, surely, will be "Over the Rainbow/What A Wonderful World," the medley that "made" the late Bruddah Iz Hawai'i's biggest star. It has been available on his solo album in 1990, but this early take is very different.

    You hear the sweetness and emotion that would evolve and sizzle years later when re-imagined as a simpler melding of ballads with plain 'ukulele accompaniment. Of course, the winning sound was somewhat of an accident — unplanned, recorded late one night — but it's become his lasting calling card.

    This release, then, is a peek into the past, when Iz was in his formative years as a member of The Makaha Sons, who, of course, have since reinvented themselves as well.

    The gang includes Louis "Moon" Kauakahi, Jerome Koko and John Koko, the revamped Sons without the late Skippy Kamakawiwo'ole; 16 titles are extracted from five earlier albums produced by Lea A. Uehara. The choices are sensible, with 1984 origins through the early 1990s, when Iz and the Sons were a bubbling-under new force of a changing Island songscape and emerging as a power and resource of "new" Hawaiian music.

    Some inclusions are surprising, but rhapsodic, like the in-concert "Rusty Old Steampipes." Others are predictable and precise, like "Nohili E," "Na Pua Lei 'Ilima" and "Kawohikukapulani."

    Liner notes indicate original albums from which these tracks came — helpful data for tracking and a reminder that change would come.

  • Our take: A collectible for those who must have anything and everything by Iz.

    Sample song: "Over the Rainbow" by Israel Kamakawiwo'ole and The Makaha Sons of Ni'ihau

    "Hawaiian Jazz" by Stephen Jones and Bryan Kessler; Wire & Wood Music

  • Genre: Jazz with tropical flavor

  • Distinguishing notes: Stephen Jones, acoustic and electric bass, and Bryan Kessler, electric and acoustic guitar and 'ukulele, are no strangers to Island music fans. With a subtitle of "Relaxed & Slow," this one is like a tropical mai tai. You sip, you sip some more, and soon, you've consumed three. The spirit is intoxicating, without the side effects.

    The repertoire is quite expansive, exploring recent classics such as "Hanalei Moon" and "E Maliu Mai," oldies such as "My Little Grass Shack in Kealakekua, Hawai'i" and "Waikiki," new compositions by Jones ("Pa'ani Walk," "A Lazy Day") and Kessler ("Blue for Hawai'i") and tunes that easily work in the Island environment ("Moon River," "Over the Rainbow").

    If you're not particularly a jazz buff, this is a logical and accessible entree for a feast for the ears. The arrangements retain the essence of the tunes, but incorporate subtle jazz shuffles and flourishes — though "Swingtime in Honolulu" is blissfully jazz to the core.

    Some luminaries sit in, too — Jeff Peterson, Jeff Au Hoy, Dan Del Negro, Noel Okimoto, Abraham Lagrimas. All are reputable jazz aces.

    The CD is part of a Life Style Music series — sweet, soft, seductive stuff.

  • Our take: Take your soul on a vacation: One listen and you'll be relaxed and re-energized.

    Sample song: "Hanalei Moon" by Stephen Jones and Bryan Kessler

    "Through the Storm" by Brad Watanabe; Icon Records

  • Genre: Pop, Island contemporary

  • Distinguishing notes: Brad Watanabe composed all the music here; it's a catalog that explores the vagaries of life and love, in a style that is relaxed but also with that Jamaican bounce.

    Paula Fuga guests on "Love Addiction," which demonstrates the notion that a second voice mellows the brew. Ooklah the Moc appears on "Strength" and "My Mind."

  • Our take: This is a voice in search of an audience.

    Sample song: "breakaway" by Brad Watanabe

    Reach Wayne Harada at wharada@honoluluadvertiser.com.