The key track, "What a Wonderful World," has a sweeping intro that sets the tone for the rest of the album, which focuses on mountains of melody bigger than Iz and masterful execution (by producer Jon de Mello) of style matching artistry. I shed some tears on the first listen, as Iz's interpretation packs emotion and sentiment, with the rousing new arrangements pulling at the heartstrings.

The symphonic cloak does not impede Iz's flow or aloha; if anything, the orchestral sounds enhance his music and mana'o. It's deja vu with beaucoup thrills — via Iz classics such as "Henehene Kou 'Aka," "Kaleohano," "Twinkle Twinkle Little Star," "White Sandy Beach," "'Ulili E," "'Opae E," "A Hawaiian Like Me."

"CALLING OUT" BY MIGHTY J; DADDY RECORDS

This concoction has a vitality and verve that suits Island radio programming, is perfect for cruising in the car and reflects a hybrid that enables the three singers to expand their horizons and fan base. The tunes are crisp, harmonic and personal, have a clear, unabashedly "girl" orientation, if you explore "Baby I'm Gone," "Before I Let Go," "Girls' Night Out" and "Can't Be Without You." Sweet, reverent, yet fresh and relevant.

If you adore Na Leo, you'll embrace Mighty J — think a younger version with a similar penchant for harmony and romance. And credit Dr. Trey for the Trey-mendous engineering and production values.

The repertoire includes some obvious covers like "House at Pooh Corner" and "It's Too Late," enabling Sienna and Toast to uncork those simple and savory notes. The duo composed a few newbies ("Remembering Me," "Good Enough," "You," "Tell Me"), so its vision is amply represented. Ho contributes "I Won't Shed a Tear" and "Nobody Else" with collaborators — tunes that suit the style of Makena. For Hawaiian fans, " 'Ulupalakua" may not be the definitive version, but the women add on their charm.