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The Honolulu Advertiser
Posted on: Friday, September 19, 2008

Brat Pack films get a second chance to impress

By Jen Chaney
Washington Post

To the kids who struggled with their own particular brand of adolescent angst in the 1980s, John Hughes' coming-of-age films served as the best kind of cinematic comfort food. Collectively, they reminded teens that it's OK to be confused, jaded, occasionally depressed and completely comfortable with eating Cap'n Crunch and Pixy Stix sandwiches for lunch.

Unlike many pop culture phenomena from the '80s (see parachute pants or virtually any episode of "Solid Gold"), the Hughes canon still resonates with young people who weren't even born when the movies first projected onto theater screens. And that's why it always seemed shameful that the DVDs for flicks like "The Breakfast Club" came with barely any bonus features.

This week, Universal attempts to rectify that error with the "High School Flashback Collection," a box set that includes new releases of three quintessential Hughes pictures: "Breakfast Club," "Sixteen Candles" and "Weird Science." While the special features on each still aren't as robust as one might hope, they definitely note a marked improvement over the multiple lackluster versions that preceded them.

Packaged together in a tin box designed to look like a high school locker, the collection not only dredges up some fun trivia about each film, it attempts to put the impact of the Hughes films into a larger cultural context. Everyone from teen-movie experts Amy Heckerling (director of "Clueless") and Diablo Cody (writer of "Juno") to journalists such as Entertainment Weekly's Owen Gleiberman and The Washington Post's Hank Stuever appear in the documentaries to discuss the deeper meanings of the Brat Pack genre. Numerous cast members, including Anthony Michael Hall, Judd Nelson and Ally Sheedy, also participate.

Since all of these discs are available for individual sale, you may be tempted to just buy one and skip the collection. If you do, go with "The Breakfast Club." In addition to being the most influential of the Hughes films, it also boasts the most solid DVD extras, including a 51-minute documentary, a featurette about the Brat Pack and an engaging commentary track with Hall and Nelson.

The extras on "Weird Science" — which comes with a brief documentary and the pilot for the TV series based on the comedy, about two geeks who create their own dream woman — are the most limited. But the ones for "Sixteen Candles" may be the most disappointing. Yes, the DVD does deliver a 38-minute look at the movie's legacy, with contributions from cast members such as Hall, Justin Henry, Gedde Watanabe and Paul Dooley. But that's the only bonus material we get. And what's worse, there is no sign of Michael Schoeffling — the since-retired actor who played the iconic dreamboat Jake Ryan — or John Hughes muse Molly Ringwald. "The core of 'Sixteen Candles' is Molly," says John Kapelos, who played "oily bohunk" Rudy. He's right, and that makes her absence all the more glaring.

Speaking of absent, the now reclusive Hughes, not surprisingly, doesn't make a single appearance on the collection. In recent years, he has turned into an almost J.D. Salinger-like figure: rarely seen or heard from but still admired by filmmakers and film lovers who were influenced by his work. We can only hope that someday he'll emerge to talk about these movies, for a DVD documentary or a commentary. And when he does, yet another box set — perhaps an even more comprehensive version than this one — will celebrate the return of the Teen Movie King.

  • Best Brat Pack bonus: "The Most Convenient Definitions," a featurette on "The Breakfast Club" DVD, allows journalist David Blum to explain how he first coined the term Brat Pack in a New York magazine article. And Nelson, it seems, is still a little miffed about the way he and his actor friends were depicted in that story. "He portrayed us as bad people and we weren't," he says. "We had fun. That, I guess, is not allowed."

  • Best trivia in a bonus: This one's a tie. I appreciated learning that Sheedy is responsible for suggesting the quote from David Bowie's "Changes" that marks the beginning of "The Breakfast Club." But it was even more delicious to discover that — in the uproarious wedding scene from "Sixteen Candles" — the woman who scoots over in the pew so that drugged-up bride Ginny (Blanche Baker) can sit down is none other than John Belushi's mother.

    SEPT. 23

  • "Leatherheads" (PG-13, 114 minutes): George Clooney and John Krasinski try to capture the funny side of football, but there's a flatness about the whole enterprise. This misfiring begins with the casting of love interest/ace reporter Renιe Zellweger, but Clooney's performance is terrific. He possess the combination of supreme confidence and humility that has been the hallmark of the biggest male Hollywood stars. Contains vulgar language.

  • "Deception" (R, 107 minutes): Ewan McGregor plays accountant Jonathan McQuarry, whose lonely world becomes rabidly interesting when a dashing man (Hugh Jackman) lures him into a private sex club. The movie starts with a potentially rich array of themes, but the filmmakers are compelled to turn this into a sexually charged, murderous thriller — and a hackneyed one at that. Contains violence, nudity, profanity, drug use and sex.

  • "Run Fat Boy Run" (PG-13, 100 minutes): Simon Pegg plays Dennis, a scrawny potbellied Londoner who made the mistake of his life by running out on a wedding with Libby (Thandie Newton) when she was pregnant. When a slick new suitor (Hank Azaria) threatens to marry Libby and become stepdaddy to young Jake, Dennis tries to get her back — by running in a charity marathon. Rather like the faltering way Dennis runs the race, Pegg the performer keeps us watching, ever hopeful for a decent gag. Contains nudity and profanity.

  • "Sex and the City" (R, 136 minutes): With its unapologetic materialism, raunchiness and heroines who managed to be sympathetic even amid almost pathological self-absorption, "Sex and the City" became one of TV's most successful guilty pleasures. The movie version succeeds just as well, cramming what used to take a whole season into a nearly 2 1/2-hour marathon of men, misery and Manolos. Contains strong sexual content, nudity and profanity.

    Chaney is an editor and DVD columnist for www.WashingtonPost.com.